Thursday, December 3, 2015

Debutante Season

Vintage Vantage


Debutante Cotillions


Passavant Cotillion 1953, Collection of the Northwestern Woman's Board
by Stuart Mesires
In addition to signaling the “holiday season,” December also signals “debutante season” in many cities throughout the United States. Debutante balls or cotillions are held this time of year from New York to San Francisco, and many places in between.
Passavant Cotillion 1951. Collection of the Northwestern Woman's Board
In the second half of the 16th century, during the reign of Queen Elizabeth I, the word “debutante” was adopted into English from the French when the queen began the custom of formally presenting eligible young women at court. Three centuries later, Queen Victoria gave the ceremony its present form with girls dressed in white and the official bow called a "curtsy.”
In the late 19th century, wealthy Americans began adopting many of the traditions of the Europeans. The custom of the debutante presentation was one of them. The coming-out ball was a way for young girls of a marriageable age to be presented to “suitable” young men and their families in the attempt to find an appropriate mate.
During World War I, Chicago had a famous quartet of debutantes, known as the “Big Four.” It included Ginevra King (1898–1980), Edith Cummings (1899–1984), Courtney Letts (1899–1995), and Margaret Carry (1899–1942). According to James L.W. West (author of The Perfect Hour), the Big Four were described at the time as being “the most attractive and socially desirable young women in Chicago.”
Ginevra King (1899-1980)
Two members of the Big Four, Ginevra King and Edith Cummings, were inspirations for characters in F. Scott Fitzgerald’s book The Great Gatsby. King and F. Scott met when she was 16 and he was 18. There was an immediate attraction, and the two of them wrote letters back and forth for several years until King became engaged to another man who her family thought was a better match. F. Scott never got over King and based several characters in his books on her — most notably the character of Daisy Buchanan in The Great Gatsby.
The Great Gatsby
F. Scott met Edith Cummings, another member of the Big Four, through King and based the character of Jordan Baker in The Great Gatsby on her. In 1923, Cummings won the U.S. Women’s Amateur Golf Open and appeared on the cover of Time magazine — she was the first golfer and first female athlete to do so.
Edith Cummings on the cover of Time in 1923
A turning point in the history of debutantes came with New York debutante Brenda Frazier in 1938. She was one of the “poor little rich girls” that the country had a fascination with during and immediately following the Great Depression. By her early teens, Frazier was a well-known society girl in New York who loved the nightlife. Her every move was documented in the press.
Her “debut” was a major event. She appeared on the cover of Life magazine and was featured in magazine advertisements for soap, cars, and cigarettes. She was also a trendsetter. The strapless gown she wore for her debut became her signature look and was much copied. She also started a beauty trend with her powdered pale face, contrasting red lipstick and dark hair.
Brenda Frazier on the cover of Life in 1938
In the 1940s and early 1950s, there was a shift away from privately sponsored debutante balls to larger debutante balls which benefited a charity or society. The Passavant Cotillion and Christmas Ball in Chicago was one of these. It was founded in 1949 and raised money for Passavant Memorial Hospital.
Passavant Cotillion 1949. Collection of the Northwestern Woman's Board.
The inaugural Passavant Cotillion was held on December 23, 1949, at the Stevens Hotel on Michigan Avenue. It was a huge success, and the Passavant Cotillion continues today. Passavant Memorial Hospital is now part of Northwestern Memorial Hospital, and the Passavant Cotillion is still an important source of support for the hospital, raising money for research, community service, education and enhancing patient care.
Joan Peterkin photographed by Horst P. Horst in 1949.
Above is a photo of Joan Peterkin taken by Horst P. Horst in 1949. Peterkin made her debut at the 1949 Passavant Cotillion and is pictured here wearing her custom-made gown by Christian Dior.
The cotillion dress became an integral part of being a debutante. Many debutantes had their dresses made by a dressmaker while others bought theirs. Designers such as Chanel, Schiaparelli, Dior, Vionnet, Charles James and Hattie Carnegie were known to have designed dresses for debutantes. Oscar de la Renta’s career as a designer was launched in 1956 when he designed a dress for the U.S. ambassador to Spain’s daughter, Beatrice Lodge, for her coming-out ball in Madrid.
Beatrice Lodge being fitted in her debut gown by Oscar de la Renta in 1956.
Debutante balls began to lose favor in the mid-1960s through the 1970s due to the rejection of social conformity that was popular during that time. The June 1966 issue of Town & Countrymagazine featured New York debutante Alexandra Chace on the cover with the band The Rolling Stones.
June 1966 issue of Town & Country featuring debutante Alexandra Chace and the Rolling Stones
At the time, it was a revolutionary idea to feature a photograph of a dressed-up debutante with a “scruffy” rock group. It signaled the changing times and attitudes toward tradition. Chace wore a Staron silk dress trimmed in ostrich feathers and Van Cleef & Arpels jewelry. The issue featured a section inside where debutantes posed with celebrities who represented professional fields of work that they wished to enter. Actor Bob Holliday, photographer Jerry Schatzberg, actor Robert Ryan, and artist Andy Warhol were featured, among others.
Mu mother and I at the Philadelphia Assembly Ball in 1987 where I made my debut.
During the 1980s, participation in traditional activities that had been on the decline throughout the 1960s and 1970s experienced a strong resurgence. This included debutante balls. The change in attitude can be attributed to the return to more conservative values and traditions in the 1980s Regan-era.
Today, debutante balls have re-emerged as charity events and as a continuation of tradition, rather than as an introduction to society or a matchmaking opportunity. As Oscar de la Renta said in the book Debutantes, “The modern debutante is more concerned with the perfect dress than the perfect mate.”

Tuesday, November 3, 2015

Schiap Shop

I am thrilled to share below my inaugural article for Classic Chicago Magazine - 'Schiap Shop'. Please check in monthly to read my column, Vintage Vantage and all of the other great columns and Classic Chicago news. A link to Classic Chicago Magazine can be found here: http://classicchicagomagazine.com/2015/10/31/vintage-vantage/



Schiap Shop

I recently returned from a trip to Paris where I had the opportunity to visit Maison Schiaparelli at 21 Place Vendôme — the Elsa Schiaparelli boutique. It was opened in 1935 and closed in 1954, but it was reopened in 2012, in the exact location where the original boutique had been. As a huge fan and collector of vintage Schiaparelli, I was thrilled to have an opportunity to see where it had all started and to get a glimpse of the new collections.


Elsa Schiaparelli (1890–1973) was an Italian-born French designer. She and her rival, Coco Chanel, were regarded as the most prominent figures in fashion in the period between the two World Wars. Schiaparelli’s designs were worn by society ladies and Hollywood actresses. Her clients included the Duchess of Windsor, Daisy Fellowes, Marlene Dietrich, Lauren Bacall, Millicent Rogers, and Mae West.

Schiaparelli defied the convention of her time by pursuing a more idiosyncratic style of fashion. She considered fashion to be art and was known to be as much of an artist as she was a dress designer. Schiaparelli often collaborated with the Surrealist artists of the 1930s, such as Salvador Dali, Man Ray, and Jean Cocteau. Her longtime admirer Yves Saint Laurent once described her as “The fiery Italian intellectual who introduced the world of Dadaist and Surrealist art to the world of fashion.”

Schiaparelli opened her salon in 1935. The interiors were originally designed by her friend Jean-Michel Frank, who also designed the Paris salon of Chicago-born designer, Mainbocher, on the Avenue George V. Notably, Mainbocher was the first American to open a couture house in Paris. 
The ground floor of 21 Place Vendôme was used as a boutique. It was called the “Schiap Shop.” One entered the perfume section of the shop through a black and gold bamboo birdcage designed by Frank in 1937. In later years, the birdcage was sold to a private collector, but the Maison Schiaparelli was recently able to reacquire it. It is now located on the fourth floor of the building where the collections are shown.
Schiaparelli "Shocking" perfume bottle
1937 Frank designed black & gold bamboo cage
Currently, over the fireplace in the boutique’s second floor salon, there is a collage that was designed for the Schiap Shop by Marcel Vertès in 1953. The collage is made up of images cut from fashion magazines of Schiaparelli’s most significant designs. The images are incorporated into a surreal landscape of dinosaurs and butterflies.
1953 Marcel Vertes Collage
Throughout the boutique, there are many examples of Schiaparelli’s artist collaborations: glasses designed by Man Ray in the 1930s; a powder compact from 1935 designed in the shape of a phone dial by Dali; and a dress from Schiaparelli’s famous 1938 circus collection made out of fabric printed with a design by Vertès.
1930s glasses designed by Man Ray
Powder compact designed by Salvador Dali in 1935
1938 Schiaparelli dress from the circus collection. Print designed by Marcel Vertes.
In Chicago, we are lucky to have an amazing example of an artistic collaboration between Schiaparelli and Cocteau housed at the Chicago History Museum. It is a very rare silk crepe dress, jacket and belt ensemble from 1937 — only three examples are known to exist. Cocteau created the design on the jacket that was then beaded and embroidered by the House of Lesage. The design features a woman’s head in profile. Her long, golden hair flows down the full length of the right sleeve, and her hand is holding a bundle of silver-colored ribbons. Just below the woman’s arm, the word “Jean” and a star are embroidered in pink thread. The ensemble was once owned by Chicago resident Elizabeth Fuller Goodspeed (1893–1980), known to her friends as Bobsy.

Elsa Schiaparelli/Jean Cocteau ensemble 1937. Collection of Chicago History Museum.
Goodspeed was at the heart of Chicago’s social and cultural scenes and was married to Charles Barney Goodspeed, a member of a prominent Chicago family. She was a patron of the arts, the President of the Arts Club of Chicago (1932 –1940), a writer and amateur filmmaker. Goodspeed often made trips to Paris, where she spent time with notable artists, writers, dancers and gallery owners. It was there that she met and became friends with Gertrude Stein, who then visited Goodspeed in Chicago in 1934. It was Stein’s first trip to our city, spawning her strong relationship with Chicago.

Elsa Schiaparelli/Jean Cocteau ensemble 1937. Collection of Chicago History Museum.
Even though the Schiaparelli line has been relaunched and is now being designed by Bertrand Guyon, the house is still looking back to Schiaparelli’s philosophy of art as fashion and the influence of artists on fashion. Here, we can see another Chicago connection. In the Schiaparelli Fall 2015 collection, colorful pieced fur jackets were featured on the runway. According to Vogue’s Dan Thawley, these jackets were inspired by Chicago artist Nick Cave’s Soundsuits.
Schiaparelli Fall 2015 Couture Collection.
I guess the more things change, the more they stay the same!

Thursday, February 19, 2015

The L. L. Bean Boat and Tote Bag


A few of the L. L. Bean boat and tote bags from my collection.

I have always had a sort of obsession with the L.L. Bean boat and tote bag. I love its sturdy construction, its adaptability, its classic style, and the fact that it can be monogrammed/personalized. I seem to never have enough of them. I even gave a boat and tote bag to each of my bridesmaids - monogrammed with their nicknames.

L.L. Bean catalog page from 1965 when the boat and tote was featured for the first time in its current form.

Originally designed as an ice carrier, the bag was bought and used by people to carry other things as well. It really took off in the 1960s when the tote was made smaller and red and blue trim was added.

Page from an L. L. Bean catalog from 1978

 The L. L. Bean boat and tote has become a beloved classic, a part of the lexicon of classic design and copied by many. 

Some of Michael Kors' favorite things from Harper's Bazaar 2012

 Michael Kors is a fan of the L. L. Bean camouflage tote. He has mentioned that it is one of his favorite things in articles in several magazines including Elle Decor and Harper's Bazaar where the image above came from. 

Photo of Gilles DuFour's collection of boat and totes from Beyond Chic, by Ivan Terestchenko, Vendome.

 Imagine how thrilled I was the other day when I was flipping through a book that a friend gave me called, Beyond Chic and saw the photo above of French stylist/designer Gilles Dufour’s Paris apartment and his collection of boat and tote bags! It made me feel much better about my obsession - so much so that I may have to peruse the Spring L. L. Bean catalog to see if there are any new styles that I should add to my collection....





Wednesday, February 11, 2015

Getting Ready for the Year of the Sheep

February 19, 2015 is the Chinese New Year and marks the beginning of the year of the Sheep or Ram. I thought that it would be fun to find some vintage baubles to celebrate the occasion.

1970s pendant necklace by Razza

You are the sign of the Sheep if you were born in: 1919, 1931, 1943, 1955, 1967, 1979, 1991, 2003, or 2015.

1960s Pierre Cardin brooch
 People born in the year of the Sheep are artistic, creative, elegant, honest, warmhearted, timid and charming. They are also pessimistic, vulnerable, and disorganized.
1970s Ciner earrings
 Those born in the year of the Sheep do not handle pressure well but can find their own solution to a problem when given time.

1970s Trifari pendant
Celebrities who are the sign of the Sheep include, Michelangelo, Mark Twain, Barbara Walters, Nicole Kidman, Julia Roberts, Bruce Willis, and Claire Danes.

1970s Baccarat paperweight
If you are a Sheep, you are compatible with those who are the sign of the Pig and Rabbit but you should avoid people who are the sign of the Ox!

*All of the jewelry featured in this post is available through Ladybug Vintage. Email ladybugvintagemail@gmail.com for details and pricing.

Tuesday, February 3, 2015

Kenneth Jay Lane and his Ethnic Inspirations


Kenneth Jay Lane photographed by Snowdon in the 1970s

Kenneth Jay Lane was born in 1930 in Detriot, MI. He founded his costume jewelry company in 1963. His designs were so popular that his initial collection at Saks Fifth Avenue sold out in one day. Lane's jewelry has been worn by Diana Vreeland, Jaqueline Kennedy, Audrey Hepburn, Elizabeth Taylor, and Diana the Princess of Wales. Lane has appeared in Andy Warhol films, was mentioned in a song by Lou Reed and appeared on numbers of Best Dresses Lists.

Jacqueline Kennedy wearing the now famous three-strand faux pearl necklace designed by Lane
One of Lane's best known pieces is the three-strand imitation pearl necklace that was worn by Jacqueline Kennedy. In addition to the ladylike jewelry that he created, Lane was also known for the ethnically influenced jewelry he made.


Kenneth Jay Lane 1960s Whale Necklace
One big influence was the Pre-Columbian jewelry from Central and South America that he saw in museum collections in Lima, Peru, Mexico City, and the Met Museum in New York.

Kenneth Jay Lane 1960s Pre-Columbian Deity Ring
He loved the pure gold that was used and the pieces' naturalistic forms which could be very simple or more complex and have the ferocious likeness of animal or birdlike gods.

Kenneth Jay Lane 1970s Pendant Necklace
Lane was inspired by many types of ethnic jewelry from all over the world. He sometimes found it difficult to pinpoint exactly where his influences came from.

Kenneth Jay Lane 1970s Pendant Necklace 
Kenneth Jay Lane 1970s Paisley Earrings
This caused him to invent his own "tribes" and to create jewelry for them.

Kenneth Jay Lane 1970s Necklace
On page 70 of Lane's book, Faking It he said, "I have taken great liberties with these (ethnic) motifs and used them in or out of their original context, to create fanciful earrings, pendants, bracelets, and even rings. I hope that the gods of the Mayas, Aztecs, and Incas do not become angry with me for creating my own deities."

**All jewelry featured in this post is available at space519 through February.